#plot musing

[rphelperblog]

send "Why are you hiding your tears from me?" for the reciever to be found by sender crying alone

[hanafubukki]

Imagine getting angry at Fellow for his comments? At first you could handle it: you’re used to the insults, the breaking of facades, threats to your life, but what really ticked you off? When he told you that you would never understand being poor and living off the graces of others. Now that? Had you ticked off.

But what can you do? You and the other three were slowly becoming puppets and even if you did get free of this spell, you wouldn’t be able to take Fellow or his puppets down.

Then adding on the fact of breaking the spell…Professor Crewel did say that True Love Kiss is a tried and true method…and your boyfriend is right there.

It can’t hurt, now can it?

You use what mobility you have left to lean in, Lilia curious about your actions.

You hear Fellow make snide comments about love birds and to enjoy it while you two still can only to let out a raspy exclamation when the spell suddenly disintegrates from both of you.

Lilia broke out in laughter, “Now why didn’t I think of that?”

“Because I’m wiser and I actually listen to my professors,” you point at the fox behind you, “Now honey, make that one regret his words please.”

With a kiss to your cheek and a wink, Lilia faces Fellow Honest, “Gladly, Dearest.”

You ended up giving Lilia multiple kisses whenever the spells struck him and Fellow Honest learned first hand why Lilia was a feared Phantom General in his youth.

[crabsnpersimmons]

Y'all liked raincoat chibi!DCA, well it's been snowing a lot in my neighbourhood recently, which means it's time for...

Winter coat chibi!DCA

Expectation:

Reality:

[relicsongmel]

As a musician I will never not be obsessed with the plot of Turnabout Serenade. Like what do you mean a professional guitarist gets accused of murder by Some Guy and one of his bandmates backs it up because he's upset the dude couldn't play a fucking quarter-note triplet correctly. What do you mean he uses that as evidence he did the murder. WHAT DO YOU MEAN HE WAS RIGHT

[revasserium]

Why does this scream second chance romance?

reqs are open!

at first sight

hayato suo; 6,284 words; fluff, slight angst, fem!reader, no "y/n", passing mentions of divorce, childhood friends to lovers, hurt/comfort (a little), the slowest of burns, suo is a simp, introspection, more plot than not

summary: and isn’t it strange, that a person doesn’t have to be dead to serve a haunting, how there only need be absence and sorrow and the utterly world-ending ache of what used to be?

a/n: this was not supposed to be this long or this self-indulgent but welp.

He sees you sometimes in his dreams, in the spaces right before he falls asleep — that sweet, weightless, liminal space where anything and everything is possible, even probable. He sees the shape of your laughter, feels the weight of your breath, can almost taste the sugarplum sweetness of your smile. He’d lose himself, then, in the firefly lights of your eyes.

On those nights, he wakes up with a scream curdling up the back of his throat like soured milk.

Because no matter how hard he tries to hold onto the good memories, the ones bathed in the precious, pale gold of summer sun, truth always slips through like a sharp, silver knife. Cold. Ruthless. Unrelenting.

“— so, I know we don’t know each other very well but… you’ve done so much for our shop and my grandma is so grateful and… it always makes me so happy to see you come by —”

The girl in front of him is pretty, in the delicate, unassuming way that all young girls might be called pretty. She is dark, pin-straight hair and thin-rimmed glasses. Suo can tell that she’s put on a sparkly sheen of lip-gloss just for this occasion. Her cheeks are tinted sunset pink; there’s a letter in her hands.

“Thank you,” he says, dipping his head, his hand linked behind his back, his expression schooled into one of polite affectation, the most gentle rejection. He listens to her run herself out, babbling on about visits and admiration and the shape of him outside the shop window, how her heart would skip a beat. He finds himself, wistfully, thinking about the shape of you — when you were small enough to wiggle under the fence in his backyard, dirt caked under your nails, your hair always chopped short, one of your front teeth missing as you tossed pebbles at his windows.

“I’m… sorry,” he says, finally, when the girl presses the letter into the center of his chest, bowing low enough for her long silky hair to cover her face. He slowly folds his fingers over the letter, giving her hand a squeeze as he presses it back towards her.

“B-but…” she looks up; there are tears in her eyes, “why…?”

“I suppose,” he says, voice light and conversational, almost as if he were remarking on the weather, “I’m just not the dating type.”

The girl mumbles something before sniffling and wiping at her eyes. She is, Suo admits, not a very pretty crier. But then again, he thinks, most people aren’t. She nods again, as if to herself, clutching her unopened letter to her chest before dropping into another deep bow and dashing off. Suo can hear the clipped echoes of her sobs as she races down the near empty streets, and he sighs.

He turns on his heels and makes his slow way back to his own house, the place small and empty, but clean. The single wooden shelf is lined with books, alphabetized. His futon is folded neatly in his closet. He goes through the motions of making tea, pouring the boiling water over the dried leaves, watching them unfurl. He breathes in deep and thinks of you —

You were the one who first taught him how to brew tea, your small hands not yet big enough to hold a teapot proper, but whatever you’d lacked in skill, you made up for in determination. He’d always admired that about you, the sheer recklessness of your nature that bled, somehow, into courage in his young mind.

“Careful! It’s hot…” he’d warned, reaching out to catch your wrist, but too late, the water had already spilled a little and you wince, but you don’t let go, your arms quaking as you set the scalding teapot down, biting down on your lips to keep from crying out.

“I know it’s hot! But you gotta use hot water if you wanna make good tea!”

And there, through the misty haze of steam rising from the pair of cups, sitting across the table from you, Suo thinks you’re the most beautiful creature in the entire world.

He loses you, he reflects, the same way he loses most things in his life — accidentally and to the well-tempered beat of fate from which no one can escape. One minute you were right there in front of him and the next, well…

“Moving…?” he says the word as if he’d never heard it before. You sigh, nodding, staring listlessly into empty space, your knees curled up and pressed into your chest, your chin propped on your crossed arms.

Suo blinks, “But… where are you moving to?”

You shrug, “Tokyo, I think,” you say the word with a soft resignation only found in those who have seen and lost, seen and lost again. Suo thinks he understands; looking back, he’s not sure he did just then.

“Because of… your dad’s work?”

“Yeah. He says that if his company does well there, we’d be ‘set for life’ — whatever that means,” you say, picking at a bit of invisible lint on your sleeves.

“But… what about your mom? And the teashop?”

You purse your lips, mulling over your words as if you’ve got a sour cherry pit caught beneath your tongue.

“She says… she can’t leave it. So… she’s staying here.”

“Oh,” Suo says, sitting back against his bedroom wall. Even back then, he was smart enough to understand the implications.

You nod.

Judging by the look on your face, so are you.

“So… when…” he can’t really make out the words; there’s something stuck in his throat that feels oddly like an entire handful of sand.

“End of the month,” you say, finally looking up at him to catch his eyes. And there, he sees the insurmountable sadness, the longing he’d sometimes catch a glimpse of in the slanted summer light. As if you’re waiting for him to do something, to say something. He could never figure out what exactly it was you’d wanted him to do. To say.

Stay.

He’d later realize.

Please.

He’d repeat the words to himself in the encroaching dark, lying on his futon, watching the light cast on his walls go from white to gray to gold, and slowly, sinking into cool, hollow blackness.

Don’t go.

He mouths the words until he can almost taste the shape of them on his tongue. He swallows around them like a fistful of sand, flips onto his side, and tries to go to sleep.

You appear before him like a daydream, a near mirage in the summer heat. One second, he’s laughing with Nirei at something Sakura’s said, and the next, he’s standing stock still, staring at the end of the street where he’s sure he’d just seen you —

You look older now, but then so does he, and your hair is longer, but the shape of your laughter, the light of your eyes — he wouldn’t miss those anywhere. Not then, not now, not ever. Even after all these years.

“Suo-san…?” Nirei peers up into his face, tugging on his sleeve.

“Hm? Oh sorry — I just thought —” he glances back at the end of the street. Just a large van and a few young workers, hauling things out from the back.

“Oh, there’s a new teahouse opening in town! That must be them, moving in!” Nirei says, cheerful and oblivious as always.

“What’s a teahouse do, anyway?” Sakura asks, picking at his ear and flicking something off the end of his pinky.

“Uhm… make tea?” Nirei offers.

“Yeah, but don’t we all know how to make — where the hell’s he goin’?”

Suo takes off down the street, whipping passed their usual haunts, the taiyaki shop, the okonomiyaki stand, Pothos cafe, to the corner of the street, just where the sidewalk threatens to curve into some more residential place —

“Oi!” Sakura calls after him but he doesn’t listen.

There — that sound. Sugarplum and silver bells.

The space is undone, the door propped open with a wooden crate, the young men with the moving company tutting as they grunt and step around Suo to carry more boxes into the space, setting them down along the walls.

“— there’s good, oh no — not that one — that one goes… oh here’s good! Thanks!”

You.

He sees you like something from his wildest daydreams, the shape of you in smoke and stardust — the light twisting and twining around you as if it knows, treating you differently than it might all the other people and objects in the room, focusing around you to paint you in richer tones, in brighter lights and deeper shadows. The air seems to gather around you like a held breath.

And for a moment, Suo himself forgets quite completely that he himself might need to breathe as well.

You turn your eyes on him and the world seems to shift focus like a camera lens shifting zoom. Everything blurs, sound slows, drags, distorts. The room around you fades until it’s nothing more than a suggestion of shapes and space.

Suo sucks in a breath.

“Sorry — we’re not quite open y…”

Your voice trails off, and vaguely, Suo thinks that you sound different than you did before. But there’s still the same lovely cadence to your words, the rounded edges, the crispness of your diction, the sheer weight of your conviction in the things you say and how you might will them into truth.

“It’s… been a while,” he says. His own voice is weak, wavering, dry and scratchy and sounding nothing like himself but he sees the moment you recognize him, wholly and completely.

“H-Hayato-kun!”

“Oi, Suo — who’re you —” Sakura rams a shoulder into him at this exact moment, Nirei pattering close behind, trying to hold him back. Sakura blinks at you, his head flicking between you and Suo as if watching an invisible tennis match. And then, some understand seeps into the depths of his eyes and his cheeks go a ruddy shade of pink.

“Uh — sorry, I didn’t — who —” he looks bewildered and awkward all at once.

“We’re Suo-san’s friends — from Boufuurin!” Nirei cuts in, finally succeeding in tugging Sakura to one side and peering around the rather narrow door frame. He bows slightly before jumping half a meter in the air as a mover clears his throat loudly behind the group of boys now clogging the door way.

You jerk out of your reverie and point the mover towards an empty corner before making your way over, your steps steady. It takes everything in Suo’s being not to move, to neither shift forward, to press into your personal space just to make sure you’re really real, or to turn tail and run till he doesn’t have the breath to keep running any more.

He can’t tell which he’d prefer more, but he knows that neither is the best option right now.

So, he forces himself to stand still, to wait for you to come to him.

And you do, drifting over in a cloud of light linen and a flower patterned apron.

“Hi! Long time no see!”

Suo registers faintly that though your hair is longer, but your bangs are still choppy, and the ends of your hair badly cut, as if you’d gotten annoyed one day and tried to do it with kitchen scissors. He bites back a smile at the image. But there are other subtle changes too — the round babyfat on your cheeks slimming out to a sweet, heart-shaped face, the hugeness of your eyes, almost alien-like in your child years, now balanced out by the depths of your features. Your lips are small and plush as an overripe plum — that, at least, hasn’t changed in the slightest.

“Yeah… what… are you doing here?” he asks, still struck dumb by the sight of you here, in Makochi.

You raise an eyebrow and Suo almost feels the motion like a gut-punch, the familiarity of it overriding your older features until he can’t really tell if he’s living in the present or if he’s been suddenly and unwillingly shunted into the past.

You scoff, “Opening a teahouse, duh!”

Nirei laughs and Sakura lets out a snicker that kicks Suo out of his stupor. He clears his throat, having the decency to at least look abashed.

“Sorry, yes — that much is obvious. Is there… anything we can do to help?” he tries to ground himself in the established notions of aiding the citizens of Makochi. At least here, he knows what he has to do. His voice evens out, his smile returns.

You regard him with that same, questioning look before casting your eyes around the room.

“Sure! Plenty to do if you guys have the time —” and then you start pointing to the various tasks they might help with.

Nirei and Sakura jump to, already used to the pattern, with Suo trailing behind them, moving slower than usual, his limbs feeling heavy, as if they’re full of lead. It takes them the better part of the afternoon to help you set up most of the bigger pieces of furniture. And somehow, by the time they’re done, a good chunk of the freshman class is there, chattering and laughing, lounging at the newly built tables.

“Alright! Who wants some tea? Fresh and on the house — consider it payment for a job well-done!” you clap your hands, grinning as the boys all cheer.

Suo keeps quiet, sitting at a corner table with Sakura beside him, Nirei across. It isn’t until Sakura digs his elbow rather painfully into Suo’s ribs that he turns his face towards them, hitching a smile to his face.

“Hm?”

“What’s with you?” Sakura asks, never one to mince words. Across from them, Nirei nibbles on his lips as if debating on whether or not to add on to Sakura’s line of questioning

“What do you mean?” Suo asks, folding his hands carefully on the table. He’s not fooling anyone; he knows, but that doesn’t mean he shouldn’t at least try.

Finally, impulse wins out and Nirei blurts out —

“You’ve been staring at that girl all afternoon and — and I’ve never seen you look at anyone like that before. And you’re the one that gets the most confessions out of anyone in our year, so it figures that if this girl c-can capture your attention like this, she must be someone really special.”

He finishes slightly out of breath, before ducking behind his little notebook, even though he’s holding it upside-down.

Suo lets out a helpless laugh.

“I didn’t know you were keeping track of how many confessions all of us got — that statistic seems irrelevant to our fighting abilities, no?”

“Quit tryna change the subject,” Sakura cuts in, loudly.

Suo sighs, nodding, “I was getting there. We —” he cuts off, clearing his throat as he feels his entire body catch on the edge of the confession.

He takes a deep breath and starts again, this time, pressing a slight smile between his lips, taking on a tone as if telling a story about someone else.

“We were neighbors growing up.”

Nirei blinks, “Is… that it?”

Suo’s smile goes a bit stiff and plastic, “More or less.”

“Liar,” Sakura folds his arms, frowning as he stares Suo down. His cheeks are still pink, but there’s a determined glint behind his eyes that never bodes well.

“Ah… well,” Suo weighs his options, but then lilts his head and shrugs, “you caught me — we were a bit more than just neighbors… more like childhood friends.”

Sakura narrows his eyes but doesn’t push. Suo looks down at his hands, laced carefully on the wooden table before he speaks again.

“We… spent a lot of time together and… her mother owned a teashop like this one.”

“Oh! A family business!” Nirei says.

Suo opens his mouth to correct him but your voice cuts him off.

“You still have them!”

A finger slips along the long tassels of his earring and Suo nearly jerks away, casting his eyes up to find you, a familiar teapot in your now steady hands, your eyes somehow bright and dark at the same time as you look down at him.

“Oh… yes, I —” again, he feels his throat catch, “of course I did. You were the one who made them for me.”

You let out a light laugh, setting a few teacups down at their table and prepping their tea.

“You didn’t have to — I’m surprised they held up after all these years. You know I bought the red beads at the craft store right?”

“Yeah, you… you used your New Years money. I remember…”

“And you helped me pick out the tassels from the lady who sells lucky knots at the market!” you say all this as if it weren’t one of his most precious memories, as if he hadn’t gone to great lengths to make sure the earrings you gave him (one of the only things you’d ever given them, other than perhaps a broken heart) never came to any harm.

Across from him, he can see Nirei putting the pieces together. Next to him, Sakura seems stunned still by the same revelation.

“If I’d know you’d like them so much, I would’ve made you a few more pairs. At least that way, you can try to match them with your clothes,” you grin, leaning down to seep their tea. Suo watches as the hot water washes over the dried leaves, rehydrating them till they each unfurl into their own shape. A deep, floral fragrance fills the air and he feels his stomach both twist and settle in the same motion.

“Jasmine green,” he says.

“Mhm. Your favorite. It’s a little basic but I love it too.” You shoot him a surreptitious wink. Then, you pause, “Ah — but it might not be your favorite anymore, I guess —”

“It still is,” Suo says before you can second guess yourself.

The smile that re-alights your face is nearly blinding in it’s brilliance.

“Anyway, I’ll leave the water here for you guys, yeah?” you set the teapot down next to Suo’s elbow, flash them all one more smile before twirling around and going to serve the next table.

It isn’t until much after dark that everyone leaves and Suo, having made up some vague excuse to linger, finally has you to himself. You hum as you flit from table to table, wiping them down and pushing in the chairs. Suo watches you for a solid minute before moving to help.

“Thanks,” you say, as he helps you push in the last chair and you wipe a forearm across your forehead with a long breath, “phew! Ma really made it look easy back in the day, but this is hard work! And we’re not even officially opened yet!”

“We’ll come by to help whenever we can,” Suo says, the response automatic.

You nod, folding the tablecloth neatly into a square and setting it on the counter.

The silence thickens around you, swirling and charged. Suo grasps for something to say, anything to say. He wishes you’d do something — turn on a light, hum another song, say something strange and outlandish, punch him, perhaps.

You do none of those things. Instead, you wipe your hands on your apron and turn to look at him, your eyes huge in the darkness.

“I’ve missed you.”

It nearly knocks him from his feet. The quiet force of your words, the raw-edged honesty behind them. The way your voice doesn’t waver. The way you say them not like an accusation but an admittance. He thinks he really would’ve preferred if you punched him instead.

“Yeah,” he says, feeling breathless, heat cresting up his chest, and suddenly, he’s thankful for the darkness within the not-yet-opened teashop.

“I’ve missed you too.”

He feels hollowed out by the confession, as if just speaking the words had carved him clean, so clean that the words echo through him, reverberating through his bones till he feels it down to his marrow. He hadn’t known that missing a person could feel like this, or that the word could mean so much until he’d said it out loud.

Missing. The lack thereof. A nothing where there used to be something.

It is a wrongness in the matrix, a hole, an abnormality.

It’s as if he’d been sleeping on the mattress from the Princess and the Pea ever since the day you’d left, a subtle incorrectness that permeated every single moment of every day, so obvious in it’s presence that it had folded back into itself and become something.

That the lack of you was a presence in and of itself, a living ghost that had loomed over him, slinked behind his shadow, hovered over his shoulder until —

He reaches out to touch you, fingers skimming against the skin of your cheek.

You lean into his touch, the motion slight but he catches it almost immediately, and the force of it is the catalyst that propels him forward. He tugs you into his chest and holds you there, burying his face in your hair.

“I — I’ve missed you…” he says again, and you nod, fingers crumpling in his school uniform as you press your forehead into his chest.

“Y-you’re so much taller than before — it’s not fair,” you say, your voice muffled by his shirt. He laughs, ruffling your hair for a second before his fingers so soft and he’s running them through from root to end.

“If I had a sister, I’d tell her to keep her hair long, so I could braid it,” he’d once told you when the two of you were barely in elementary school. You’d tugged at the ends of your chopped short hair and frowned.

“Ugh — I could never grow my hair out long. It’ll just get in the way!”

“It’s longer,” he says now, tugging at the ends even as he takes half a step away, releasing you from his embrace. You glance down at the uneven bits, crinkling your nose in distaste.

“I — I tried to grow it out but… I kept getting annoyed.”

“Yeah, I thought so but… I’ve always liked your hair short.”

“You have?”

“Yeah —”

I’ve always loved everything about you.

He swallows, “Short hair… just fits you.”

You stare up at him for a second longer before nodding, your eyes flickering away.

“Yeah. Guess it does, huh.”

Something clunks in Suo’s chest.

You turn away and he has to physically beat down the panic rising in his chest.

“W-where do you live now? I’ll walk you back. It’s not safe to walk around alone in the dark,” the words tumble from him like a bag of spilled marbles, scattering across the hardwood floors.

You turn back to regard him with a curious look.

“I — I live above the teahouse. So…” you shoot him a lopsided grin, a finger pointed up towards the ceiling of the teahouse.

“Oh. Right.” Suo blinks, watching you watching him before he notices the flight of stairs behind the open door in the back of the room.

“You wanna walk me to the stairs?” you ask, grin slanting sideways till its positively devilish and Suo feels a shiver kiss it’s way up his spine.

“I mean, it’s dangerous to walk alone in the dark, right?” you tease, before turning and slinking towards the back room door. Suo hesitates for a second before he sighs, shaking his head and following behind you.

He pauses at the foot of the stairs just as you pause on the step right above him. You twist around to face him, and the sudden closeness catches his breath in his lungs. Like this, he can feel the heat of your skin, can smell the shampoo in your hair — the same one you’d used when the pair of you were still kids, apple blossom and aloe.

You cock your head, your faces now on a level, your eyes searching his.

It’s so dark, but even in this lack of light, he can make out every single feature of your face.

“I think I can make it up the stairs by myself,” you say, your voice barely more than a whisper, conspiratorial and low.

Suo lets out a small laugh, nodding, “Good. It wouldn’t be right for a gentleman to leave a lady feeling unsafe at this time of night.”

Your head slowly cocks the other way; he’d almost forgotten that habit of yours, like a sparrow listening for the rustle of leaves or the first breath of autumn wind.

“Since when’ve you been a gentleman?” you ask, still in that soft, whisper-voice, the kind of voice that compels the listener to lean closer, to tip forward until they’re falling into something they don’t even have the name for —

“And… more importantly, since when have I ever been a lady?”

He kisses you then. Or perhaps, you kiss him first. It doesn’t matter — or perhaps it does, or it will. But not now, not in the soft, nebulous darkness that surrounds you, not when your fingers are curling into his hair and his palms are settling at your waist.

And there are no fireworks, but there is light — electricity coursing through his body and yours, neurons firing and firing and firing. A cataclysm of yes and more and finally.

The first time you break apart, Suo is breathless; the second time, he feels punch drunk; by the third, he’s determined that this must be what it’s like to be thoroughly inebriated. His head is spinning, his face is hot, he has to remind himself of where his hands might be — oh, there — one in your hair and the other pressing you to him so hard he’s certain it’ll leave a mark.

The thought pleases him more than it should. Or perhaps it pleases him just as much as it should and always will.

“H-Hayato…"

“Mm — stay — please…” his voice is nearly broken as he drops his had into your shoulder; he takes a shaky breath, “don’t go.”

You let yourself be held, the pair of you propped awkwardly on the first few steps of the stairs, your fingers threading through his hair.

“I’m not going anywhere… this is my house now.”

Suo nods, vaguely aware that there are questions he wants to ask you — how’s your mother? Where’s your father? How are you here, alone, opening this teashop by yourself? Living here, by yourself?

But he will get to those later, tomorrow maybe. Right now, he forces his head up and regards you with hazy, blown-out eyes and kiss-slick lips.

“If I sleep on the floor, can I —”

You laugh, running a thumb along his cheek.

“We’ve shared a bed before and nothing’s happened. You don’t have to sleep on the floor — bed’s big enough for the both of us.”

Suo presses his lips for a second before shaking his head.

“It’s not that. I just… don’t think I could trust myself.”

There’s a hoarse, ragged edge to his voice that has you chewing on the inside of your cheek. He glances up the stairs and offers you a weak smile. You consider him for a second more before nodding.

“Yeah, c’mon. I’ll show you where the futons are.”

Upstairs, your bedroom is silver and alien with moonlight. It seems too bright, too sharp. But you step into it and suddenly, everything is alright again. You both wash up in silence, and you dig up an ancient band t-shirt from somewhere in your closet. He wonders how long you’d been here already — how many days and night he’d spent mere minutes from you.

He lays down in the futon after you slip beneath your sheets. He watches the shape of you as you shift this way and that.

Finally, you say, “Night, Hayato.”

“Sweet dreams,” he says.

And he falls asleep counting the sound of your breaths against the rhythm of his own, thundering heartbeats.

“Y-you what?!”

Sakura’s face is tomato red and Nirei looks just about ready to go into anaphylactic shock. Across the classroom, Kiryuu, who’s obviously been listening in, catches Suo’s eye and gives him a cheeky thumbs up.

Suo smiles, cheery and unabashed.

“I slept over.”

“B-b-but — you — I — she just —” Nirei seems to be fighting against some invisible force inside himself even as Sakura continues to gape.

Suo chuckles, nodding.

“Yeah, she moved here last week — it’s a total coincidence that we met up again. She had no idea that I was even here.”

He thinks back to the quiet moments of the morning, of waking up to find you sitting up in bed, staring out the window, your hair mussed and a little frizzy. He remembers the way the morning light had dappled the soft of your skin, how you’d smiled and asked him how he slept.

“Well. Better than I’ve slept in…” he clears his throat, suddenly self conscious of the gravel there. And here, in the unforgiving light of day, the night before seems miraculous and distant. Had he really held you in the dark like that? Kissed you till you’d said his name like something of a prayer?

Had he really held your hand all the way up the stairs?

You catch his eyes and smile, and like this, looking up at you as the rising sun halos itself around your shape, Suo wonders if he still might be dreaming. Because surely, surely — heaven couldn’t have been so close as this.

“So, what do you want for breakfast?” you ask, swinging your legs out of bed, your pale feet pattering against the fresh tatami floors. Suo is momentarily stunned by the sight of your bare legs, the large shirt you wore to bed now somehow terribly short and insufficient as it brushes by the middle of your thighs.

He swallows and forces himself to look away, to shake his head and focus on the words you’d said.

“Whatever you want to make,” he says, by way of an answer.

You hum as you cook, putting a bowl of rice in the microwave and putting on a pot of water to boil. The kitchen here is smaller than the one up front, in the main body of the teahouse, but it feels more homely, every surface effused with a sort of lived-in quality — clean, but rounded at the edges as if worn down by the love of days and weeks and months.

“How long…” he tries his voice again, only to find it wanting. He lets his words trail off and hopes that you understand.

“Hm? How long have I been here? Just a week. It was weird — my mom had bought this place a while back, and started the renovations, but I’d never had time to visit.”

“And where…” again, his voice trails off, his palms pressing flat to the thin counter, his eyes tracking the shape of you as you flitter through the small kitchen like a bird or maybe just a trick of the light.

“She’s not here,” you say, your movements slowing as you take the boiling water from the stovetop and pour it over some rough tealeaves, letting them seep for a few minutes before straining them out and tossing them into the trash.

“She’s… in Tokyo, finalizing the divorce with Pa.”

“Oh.”

His mind makes several inferences at once, even as he watches you soak the rice in the steaming hot tea and split the ochazuke into two bowls.

“I thought they’d… already done that,” he admit, nodding his thanks as you hand him a bowl and offer him a container of store-bought furikake. He takes it and shakes some over his bowl before handing it back.

“Yeah. Most people did.” You don’t offer up anything more and the both of you eat in silence. He polishes off the entire bowl and feels the heat settle in his stomach like a gap being filled.

“So… will she come after… everything is settled?” he choses his words carefully, peering up at you over the empty dishes. You slurp noisily at your own breakfast before licking your lips.

“Yeah, but who knows how long that’ll take? Might be weeks, might be — years, or something…” you drag the back of a hand across your lips and reaches over to pluck the empty bowl from his hands, dropping everything into the sink to soak.

“C’mon, don’t you have school or something to get ready for?”

“So… she’s here to stay?” Nirei asks, his eyes a bit overbright as Suo relays a version of the story, skirting tactfully around the more tender parts.

“Yeah, as far as I know. I promised we’d come by after school today to help her set up some more — you don’t mind, do you?”

“Nope! Not at all!” Nirei beams, but Sakura’s eyes are narrowed. Suo turns his gaze on Sakura and tilts his head with a questioning smile.

Sakura’s cheeks redden, “It’s just — ah, whatever — never mind!”

And no amount of prodding or teasing could tantalize him into saying more.

Time passes by strangely after that — at times slugging by slow as molasses, at others jumping forward in great leaps and bounds. Suo spends nearly every waking moment when he’s not at school or on patrols with you, sometimes simply sitting in the corner of the teahouse, flipping through a book, watching as you served your growing roster of regular customers, at times helping you catalogue new shipments of tea and organizing them by type, brew time, and temperature.

Sometimes, when the light catches you in just the right way, Suo finds himself arrested by the sight, and it’s times like these when he’d tug you forward, a finger under your chin, his lips gentle on yours till he can taste the tang of your smile.

“I heard you’re quite the lady’s man,” you say, casually one day, brewing a test batch of a new varietal of white tea.

“Oh? And where might you have heard such a thing?” Suo grins, pillowing his chin on the heel of his hand, watching you as he always does.

“Just the baker’s granddaughter — she goes the prep school I do, you know the one in the next neighborhood over?”

“Ah… that.”

Your grin goes lopsided as you carefully blow on the top of your teacup and take a dainty sip.

“You got your hair cut,” he says, smiling as he rakes his eye over the cut of your bob, tickling just beneath your earlobe. You go slightly cross-eyed as you tug a strand down over your forehead before blowing it away again.

“Yeah. Figured it was about time I got a proper haircut.”

“I liked it the way it was before.”

“You did?”

“Sure I did. I’ve always loved everything about you.”

Between you, a single column of steam rises in a slow, lazy spiral from the surface of your half-drunk cup. And like this, Suo thinks you’re still the most beautiful creature he’s ever, ever seen.

Your blush is quick and brilliant. Your eyes cut away; you push your hair behind your ears.

“Don’t changed the subject — so what’s this she said about you not really being one for dating, hm?”

Suo shrugs, “I’m not.”

You quirk an eyebrow.

“Then…” you blink at him, cheeks flushing darker and darker, “what do you call this?”

Suo fixes you with a steady look, and now, his voice doesn’t waver when he speaks to you, because he knows that he’d never let the certainty of you slip away from him again. This time, he knows the words to say — knows without the shadow of a doubt his truth, and yours, too.

“I don’t know what I’d call it but… I know that I’ve never really believed in dating.”

You lick your lips, setting the cup down with a soft clack.

“Then what do you believe in?”

Suo doesn’t miss a beat.

“I suppose… I’ve always just believed in soulmates.”

Your mouth falls open ever so slightly. Suo smiles as he reaches forward to tug the strand of hair free from behind your ear just to run his thumb over the smooth, silken ends.

“And, I’ve always, always believed in love at first sight.”

[littlewrensx]

starter for @ofmymanymuses from Olivia.

"Oh..." She thought everyone would be asleep by now. Pulling the oversized shirt down so it wasn't totally obvious she was just in her panties. "Um, sorry. I didn't realize anyone was up. I was just wanting some water." Blushing, she made her way to the fridge to grab a bottle of water. "Can't sleep?"

[simandy]

I'm sorry are the Goths a joke to you

[muses-with-afp]

Among the cobwebs tangled about in the ole noggin is: Byakuya really is just out there living a whole 'nother life inside his head, isn't he?

We see this get clocked by Toshiro in Chapter 674 (above) and, hopefully, Rukia and Renji (i.e., the "they" to whom Toshiro is referring). You could surmise that Toshiro is very perceptive and that's how he discerned what Byakuya was doing. And, sure, Toshiro is plenty perceptive. But... also... like... how often does Byakuya do this? How often does he put on some weird "performance" that he's fairly certain others "see through"? Or, at least, he intends for others to see through?

My guess is: The whole damn time.

I like to think the below Q&A from KlubOutside isn't just some continuity error that Kubo is fixing in post, but, rather, a suggestion that Byakuya is really out there living a life completely untethered from reality.

KlubOutside Q&A, as translated by reikorun

Like... we know from the SS Arc that Rukia does not view her relationship with Byakuya as warm and fuzzy. She says as much with her words and actions throughout that arc.

But... umm... the above seems to suggest that she and Byakuya likely discussed Renji at some point during their 40/50-year relationship. And, from that/those discussion(s), Byakuya left feeling intimately acquainted with not only Rukia, but Renji as well. Enough so that the man married to formality thought he could totally dispense with it when he met Renji.

Rukia, on the other hand? Girly, didn't blink an eye at her crazy "brother's" crazy antics during the SS Arc. She was like "he'd kill me himself and not give a damn" (paraphrasing). And like... understandable since it did seem to be going that way, but for Ichigo et al.

However, what subtle "hints" had Byakuya dropped that he just assumed she understood during the SS arc? Probably a million. Maybe he thought they were totally aligned then. Maybe he thought she knew the extent of his troubled heart along with the whys and hows and whatfores.

Maybe he was really out there living his best headcanon life.

[chipper-smol]

So i'm putting together a reference of Macaque expressions/emotions because I like him a regular amount and this is the coolest frame by frame subtlety find i've found yet

like the fact that Wukong was willing capable of showing restraint and mercy but not for him-

also, absolutely enthralled he ended up like this from this

what happened bud

[rphelperblog]

𝚜𝚑𝚊𝚍𝚘𝚠  𝚊𝚗𝚍  𝚋𝚘𝚗𝚎  𝚙𝚛𝚘𝚖𝚙𝚝𝚜.      ( feel free to change pronouns, potentially triggering, read & reblog with caution. )

’ i look like my mother and she looked like the enemy. ‘

’ i’ve never been welcomed here. ‘

‘ keep a pencil in your hand. or else someone will put a rifle in it instead. ‘

‘ i spent years thinking i’d find a way out. ‘

‘ i’m old enough to know the only way out, is through. ‘

‘ well, i need someone to take the fall for my petty crimes, that’s all. ‘

‘ we learned some good life lessons back then. ‘

‘ one: don’t cry in public. ‘

‘ she/he/they isn’t like you. no one is. ‘

‘ you’re the one of us who believes in a higher power. ‘

‘ when i get the nerves the night before i like to have a good tumble with a stranger. ‘

‘ you don’t seem like the type to do what they should. ‘

‘ well, turns out they do need me, so. ‘

‘ you’re a terrible shot. ‘

‘ when i was young, i had nightmares about it. ‘

‘ if it goes wrong, come back. you’ve lost enough already. ‘

‘ i’ll find my way back to you, promise. ‘

‘ don’t you want to know if you’re grisha? ‘

‘ if i can’t crack this, none of us are going anywhere. ‘

‘ maybe i won’t be here when you get back. ‘

‘ what are you? ‘

‘ that’s why i’m here, isn’t it? ‘

‘ they’re all gone. it’s my fault. ‘

‘ is it true? can you summon light? ‘

‘ when they realize their mistake, what do you think they’ll do to her/him/them? ‘

‘ i know her/him/them better than anyone does. ‘

‘ i don’t know where this letter will find you. but you must’nt worry about me. ‘

‘ i am perfectly capable of washing myself. ‘

‘ don’t change my eyes. ‘

‘ i’m almost as rare as you. ‘

‘ sentimental. we’ll work on that too. ‘

‘ i can’t go in front of the king, i need more time. ‘

‘ know that when i told you about true north, i was talking about you. ‘

‘ black is his color. not mine. ‘

‘ tell me, are you so anxious to be like everyone else? ‘

‘ it would be nice to know what the feels like, someday. ‘

‘ time for a heist. ‘

‘ you managed to win us over, didn’t you? ‘

‘ training is good. well, i think it’s going well. ‘

‘ where you are doesn’t matter nearly as much as who you’re with. ‘

‘ when there’s something you want, better to act without thinking than think without acting. ‘

‘ i’ve always wanted to travel the world. ‘

‘ i like seeing you this way, i want you to be careful. ‘

‘ you never compliment anyone to their face. ‘

‘ aren’t you supposed to be scouting our way out? ‘

‘ what do you think i’m doing? ‘

‘ i think you’re flirting with that stable hand. ‘

‘ tell me, what makes one carriage faster than the other? ‘

‘ the right answer is their is no right answer. ‘

‘ it’s the horse that makes the difference. ‘

‘ no human being should be as proud as you are right now. ‘

‘ you think that’s what it is? just a trick? ‘

‘ you don’t want to keep it in your pocket for too long. ‘

‘ i’m sorry that it took me this long to see you. ‘

‘ i prefer to travel alone. ‘

‘ i’m afraid we can’t let that happen. ‘

‘ you stick with us, everybody gets what they want. ‘

‘ i’m not being anyone’s captive ever again. ‘

‘ it was my power keeping you warm. ‘

‘ you won’t get far out here without it. ‘

‘ if i wanted you dead, i would have slowed your heart instead of speeding it up. ‘

‘ you intend to kill me! ‘

‘ why would you save me? ‘

‘ so there is a brain inside all that muscle. ‘

‘ you used to call on me, on times like this. ‘

‘ when your table was messy and your bed was neat. ‘

‘ i am a witch hunter and you are a witch. ‘

‘ you made him afraid. now he wants you to fear him. ‘

‘ you’re the one who taught me how to kill, mother/father. ‘

‘ i taught you so you could protect yourself. ‘

‘ we need to teach them how to fight. ‘

‘ i forbid it. now, do you hear me? ‘

‘ it’s dangerous to go looking for the dead. ‘

‘ what you see may haunt you for the rest of your days. ‘

‘ maybe. just maybe. greed is a poor motivator. ‘

‘ true wealth is the friends you make along the way. ‘

‘ i should just tear this down now. ‘

‘ i will go north in the night. ‘

‘ no. this can’t be it. i’m not done tormenting you. ‘

‘ i will keep you warm. ‘

‘ i can’t wait to introduce you to my truest love. ‘

‘ when i got older, i learned that darkness is a place and it’s full of monsters. ‘

‘  they aren’t the monsters. they’re just boys/girls. ‘

‘  we can’t hide forever. we can run together. ‘

‘  no businessman worth his salt bargains for what he can take. ‘

‘  our enemies are threatened by your mere existence. ‘

‘  never make decisions out of fear, only out of spite. ‘

‘  well greed always worked for me. ‘

‘  the bone road ebbs and and the bone road flows. ‘

‘  handsome decoy is also not a [NAME’S] talent. ‘

‘  i’d rather starve than be a traitor. ‘

‘ needing anyone is weak. ‘

‘ you and i are going to change the world. ‘

‘ so, who actually saw what happened? ‘

‘  it came from everywhere, because you called upon it to come. ‘

‘ i have been waiting a long time for you. ‘

‘ there are no others like us and there never will be. ‘

‘ not many people surprise me. ‘

‘ fine. make me your villain. ‘

‘  they are traitors who tried to kill you. this is retribution. ‘

‘  i’ve survived for centuries. did you really think you could kill me. ‘

‘ you are quite valuable, you know. ‘

‘ the deal is the deal. ‘

‘ i’m just trying to keep warm. you should join me. ‘

‘ i’ve been warned off the job. ‘

‘ i know that look. he’s a man consumed with vengeance. ‘

‘ please tell me you have a plan. ‘

‘ i’m not against the occasional light roleplay. ‘

‘ i’d miss me too. i’m fantastic. ‘

‘ no one is ever going to believe i’m that old. ‘

‘ why does this concern me? ‘

‘ well of course certain death pays a million. ‘

‘ unlike a spider, i only need one leg. ‘

[expectiations]

The Husbands of River Song is not and has never been about the Eleventh Doctor being a deadbeat, distant husband (gross mischaracterization by the way) and the Twelfth Doctor being the "better, more mature, affectionate" husband.

It was about River Song. It was about River and how the events in Manhattan took such a toll on her. It was about letting us see River dealing with grief the way The Snowmen showed us how the Doctor coped after losing believing he had used up all his time with River.

Looking at THORS now with The Ruby's Curse in mind, I get the instinct (for lack of a word that I cannot remember) that the Manhattan incident Blue Roach read from River's diary was not the Manhattan episode that we saw in series 7.

On that note, I'd also like to bring up the fact that the Doctor grounds River and River grounds the Doctor. As Tree talked about in one of her tags, River's empathy is more cognitive than emotional and after musing on it for a bit – considering that the Doctor can no longer go to Manhattan (which may have changed in later series but I wouldn't know at the moment because I have yet to overcome series 7b) and that River does spend time with her parents in Manhattan post-TATM, would the latest Manhattan incident in River's diary be the funeral for Amy? Amy's death? Perhaps even Anthony's? I mean, we already know Rory died five years earlier than Amy. So, knowing how deep River's love for her mother is, it's not too farfetched to say that River spent that time with them. River was by their bedsides as they drew their last breath.

Then Rory's gone, Amy's gone, Anthony's gone. Where does that leave River? Where is the Doctor? (sulking on a cloud on top of Victorian London? trying to figure out the mystery of his newest companion? all while constantly mentioning a certain Professor Song who actually turns out to be his dearly sort of departed absolutely beloved wife?)

Without her parents (and her husband) to ground her, she goes on this maddened, grieving space Robin Hood spree. She seeks fun to fill in the void and takes up marriage as a hobby/side quest. Does she look for the Doctor? Perhaps. Yes, actually. Considering she crashed her latest sort-of-husband's ship onto a planet where she purported the TARDIS to be.

But... she's stealing the TARDIS. She could have just called the Doctor, yeah? So, she doesn't want the Doctor to know then. Well... yeah, considering she has two sort-of-husbands in hand.

So, River would just have gone on from one space Robin Hood spree to the next had the TARDIS not sort-of-stranded herself on Mendorax Dellora to make sure her Water stopped being stubborn and reconcile(?) with her Thief?

Also taking note of how River has read stories about them and knows that Darillium is purported to be their last night together (I could also bring up the fact that this is why I find it easy to digest the "River meeting regenerations of the Doctor younger than the Tenth Doctor makes sense and doesn't break cannon nor ruin SITL/FOTD" but that would take a whole other post). Does this River believe her time with the Eleventh Doctor has ended? The same way series 7b Eleven believed his time with older versions of River has ended? Is this all part of some grand fuckup in communication all thanks to their tangled timelines?

Maybe. Maybe not.

But has River not just been running from her family's death? Has River been running from her supposed last night with the Doctor?

"But River doesn't run." Oh yes. Yes, she does. She knows when to stand her ground. She knows when to charge. And she knows when to run.

"That's out of character for her." No, it's not. She's not invincible. She's this well trained assassin, yes. But invincible? No.

Invincible from the tendency to be blinded by their emotions? Obviously not.

River lies. And River runs.

She is not afraid of her death. She is afraid of the day when her husband, her Doctor, looks into her eyes and looks right through her. And it shouldn't kill her but it does. It did.

So she ran and ran until her bigger-on-the-inside Mum gently reached out and put her back together with the only person left who could ground her. Who she didn't recognize at first but still fell in love with (and would have loved even if he hadn't been revealed to be her actual, long missing husband). Who finally found out their last night wasn't just any night – it was a twenty-four year long last night. Who finally gave her a breather from all the running she'd been doing.

And oh what a night that was (it was the talk of the universe).

[smxkingimages]

Sam walked up to the new comer. His hands covered and dripping in blood. His face streaked with the crimson liquid as well. “Well, well looks like someone wandered into a place they shouldn’t have.” His eyes could easily be seen in the moonlight as they seems to glow under it. “Lucky for you I’m feeling charitable tonight.” His shirt was torn almost to shreds. It was clear that he had been in a fight. Some of the blood may even be his own, but it was difficult to tell. His aura was almost none existent. Had he learned to suppress it or was he acting like a scared puppy trying to looked bigger and healthier than he actually was?

"Please give me more credit, you'd think I look like this for fun?" She spit blood from her mouth as her own wounds seeped with blood after running for so long. She had managed to kill at least three but that third one almost got the best of her. Tonight wasn't her night as a hunter. And this one had two options we'll technically three but she'd doubt he'd take the third. He could take her back to the city and put her up for auction, he could kill her and drain her of her all her blood, or he could let her go. "Does that mean it's going to be a quick death?"

[lady-quen]

Hello Guild Wars 2 community! A new poll has dropped! 🐦‍⬛

(At least, hopefully new, lol.) I'm curious, which blessing did your Commander get on their first/canon go through the Raven Sanctum in the story mission "The Invitation?" Choose and tell me in the tags why they made their specific decisions :)

Compiled explanations from the wiki below for ease of access:

The trial choices in order:

Save the wounded man or save the healers

Save the spell tome or save the historical record

Save the queen or save the prince

Blessings:

Blessing of Daybreak

"When the fear of beastly claws and a child's pain is made sharp by the knowledge of elders, we make no mistakes. But do we grow?"

Healers -> historical record -> prince

Grace of Dawn

"When wisdom is favored in all things—a healing hand, a text of old, a beloved queen—we lose the sharpened sword of the truly bold."

Healers -> historical record -> queen

Consecration of Morning

"We seek to destroy monsters with sharp claws and icy breath, but do we protect ourselves from the beasts shaped like us, who prey on the young and vulnerable, who seek to rule us?"

Healers -> spell tome -> prince

Invocation of Midday

"When we flee from the things we fear most - the teeth of beasts, the storm of a dragon, a change of power-we risk running backward."

Healers -> spell tome -> queen

Supplication of Midday

"We favor the skill of healers and the wisdom of elders over the uncertainty of the future. But the young take chances, and the young push us forward."

Wounded man -> spell tome -> prince

Consecration of Evening

"We long for the comfort of a healing touch, an ancestral word of wisdom, a leader we know and trust. But comfort is fleeting, and with it comes inertia."

Wounded man -> historical record -> queen

Grace of Dusk

"We sacrifice so much—safety from the claws of death, knowledge of the ages, a steadfast reign—to propel ourselves forward. But if we move too fast, do we risk the inability to stop?"

Wounded man -> spell tome -> prince

Blessing of Twilight

"We try so hard to do the right thing. We heal, we protect our people, we preserve stability. But we cannot control how the winds of fate may shift, and a tight grip can sometimes hurt more than it helps."

Wounded man -> spell tome -> queen

[lena-in-a-red-dress]

Been listening to the Wonder Woman soundtrack, and it's gotten me thinking. If Lena ever died, especially in a noble sacrifice, I don't know if Kara would accept comfort from any of the superfriends. Because they don't understand.

But do you know who does? Diana.

So now I just have this image of Kara and Diana sitting somewhere up high, seeking perspective, and commisserating over their loss. Diana still feels an emptiness without Steve, an emptiness that Kara is just starting to feel in the absence of Lena.

But then what if Diana gets the chance to change just one thing in history, no strings attached? Does she bring her Steve back?

No.

She saves Lena instead, the moment before she meets her end.

I think Kara might sense something in Diana that day, something momentous in the way Diana looks at Lena, and the manner in which Diana shows up out of nowhere to save the day. She suspects, maybe, that Diana has seen a world, seen a Kara, where Lena has been lost.

Regardless, all Kara can do is say thank you.

[blood-starved-beast]

If my theories about Jinx taking Vi's role of the protector over a failing and derailing drunk Vi then Arcane s2 has the potential to be my favorite season of Arcane.

[bogkeep]

[in stars and time spoilers]

something i really really appreciate about the worldbuilding in ISAT is that being queer or trans or polyam is just, baked into the worldbuilding in a way that feels very natural and interesting and makes perfect sense for the setting. like don't get me wrong, all of these things ARE natural but the way *we* talk about these things in this world and our languages can often be very awkward to translate into the worldbuilding of a fantasy story - especially because a lot of the vocabulary and culture we have for queerness is as something that has been Othered, while cishet is the Default, and if you want a world where being trans is just a normal everyday thing you have to do a whole overhaul of how it's treated, right. it's tricky to make it feel natural!! though i DO think a lot of stories do it well, and ISAT is 10000% one of them. BUT HERE'S THE THING THAT'S FASCINATING. vaugarde is really chill with all this - but amatonormativity is still an issue. but the story *addresses* this!!!!!! which makes it a deliberate and super interesting part of the worldbuilding!!! you have the exposition about the bonding earrings (WHICH I THINK IS A FANTASTIC PIECE OF WORLDBUILDING) and sif pointing out that most vaugardians seem to be wearing earrings from a young age and wondering if maybe they're being primed to bond with someone early on. and of course mirabelle struggling with her faith, feeling perfectly comfortable with her aroace self but feeling pressured into dating. like i think the change religion rules and i LOVE that there's aspects of it that are Flawed, even for some of its most loyal followers. SO GOOD.

so here's what i really super appreciate - all the characters have very different relationships to romance. i love mirabelle with my whole heart, and i ALSO love that odile does experience romantic feelings and has just decided it's not a priority for her(!!!!!). isabeau is very clearly super romantic and into romance, and while he's definitely struggling a lot with the confession part - and it does get exceedingly heartbreaking as the loops go on - i do actually really like that he's like. you know what! the confession is not that important right now, you'r every clearly distraught, there will be time later (HERE'S WHERE I WOULD PUT A ""LATER""" IF I HAD ONE), my big romantic moment is *not* top priority. like none of these characters treat romance as the Most Important Thing in the world!!!! WILD!!!!!! i mean it's pretty clear that the focal relationship of the game is the found family, just like straight up spelled out for us, and i just... i think it's lovely. i love the romantic plot thread and i love that it's just one of many threads. (hear me out. hear me out............ queerplatonic mirabelle & siffrin..............) like this game chose to portray amatonormativity but the *game* is dismantling it. A TASTY MEAL FOR ME. GIVES THIS GAME A BIG STAMP OF AROACE APPROVAL